| People | Locations | Statistics |
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| Naji, M. |
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| Motta, Antonella |
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| Aletan, Dirar |
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| Mohamed, Tarek |
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| Ertürk, Emre |
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| Taccardi, Nicola |
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| Kononenko, Denys |
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| Petrov, R. H. | Madrid |
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| Alshaaer, Mazen | Brussels |
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| Bih, L. |
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| Casati, R. |
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| Muller, Hermance |
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| Kočí, Jan | Prague |
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| Šuljagić, Marija |
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| Kalteremidou, Kalliopi-Artemi | Brussels |
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| Azam, Siraj |
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| Ospanova, Alyiya |
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| Blanpain, Bart |
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| Ali, M. A. |
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| Popa, V. |
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| Rančić, M. |
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| Ollier, Nadège |
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| Azevedo, Nuno Monteiro |
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| Landes, Michael |
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| Rignanese, Gian-Marco |
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Janssens, Koen
in Cooperation with on an Cooperation-Score of 37%
Topics
Publications (10/10 displayed)
- 2024Combined macro X-ray fluorescence (MA-XRF) and pulse phase thermography (PPT) imaging for the technical study of panel paintingscitations
- 2022Deeper insights into the photoluminescence properties and (photo)chemical reactivity of cadmium red (CdS1−xSex) paints in renowned twentieth century paintings by state-of-the-art investigations at multiple length scalescitations
- 2022Reviving degraded colors of yellow flowers in 17th century still life paintings with macro- and microscale chemical imagingcitations
- 2019Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nelliuscitations
- 2019Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earringcitations
- 2019Imaging secondary reaction products at the surface of Vermeer's Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanningcitations
- 2017A mobile scanner for xrpd-imaging of paintings in transmission and reflection geometry
- 2015Iron speciation in soda-lime-silica glass: a comparison of Xanes and UV-vis-NIR spectroscopycitations
- 2013All crystal clear: 18th-century glass à la façon de Bohème from the cistercian nunnery of Clairefontaine, Belgium
- 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samplescitations
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article
All crystal clear: 18th-century glass à la façon de Bohème from the cistercian nunnery of Clairefontaine, Belgium
Abstract
Excavations at the Cistercian nunnery of Clairefontaine, located near Arlon in the south of Belgium, revealed an assemblage of 18th-century colorless glass.The morphology of the vessels and the engraved decoration suggest a central European origin or, at least, stylistic inspiration.The composition of the glass points to a recipe combining silica, lime, and potash: a colorless potash glass à la façon de Bohème. This article considers the technology, morphology, and origin of the vessels.The art-historical analysis is supported by chemical research (scanning electron microscopy–energy-dispersive X-ray spectroscopy [SEM-EDX]).The finds are also discussed in light of the emerging northwestern European glass industry, changing consumer practices during the 18th century, and their meaning for the inhabitants of the abbey.