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Naji, M. |
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Motta, Antonella |
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Aletan, Dirar |
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Mohamed, Tarek |
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Ertürk, Emre |
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Taccardi, Nicola |
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Kononenko, Denys |
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Petrov, R. H. | Madrid |
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Alshaaer, Mazen | Brussels |
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Bih, L. |
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Casati, R. |
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Muller, Hermance |
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Kočí, Jan | Prague |
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Šuljagić, Marija |
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Kalteremidou, Kalliopi-Artemi | Brussels |
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Azam, Siraj |
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Ospanova, Alyiya |
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Blanpain, Bart |
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Ali, M. A. |
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Popa, V. |
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Rančić, M. |
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Ollier, Nadège |
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Azevedo, Nuno Monteiro |
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Landes, Michael |
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Rignanese, Gian-Marco |
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Figueiredo, Elin
in Cooperation with on an Cooperation-Score of 37%
Topics
Publications (7/7 displayed)
- 2022Characterisation of Archaeological High-tin Bronze Corrosion Structurescitations
- 2017An experimental approach for smelting tin ores from Northwestern Iberiacitations
- 2016An experimental approach for smelting tin ores from Northwestern Iberiacitations
- 2016Investigating Early/Middle Bronze Age copper and bronze axes by micro X-ray fluorescence spectrometry and neutron imaging techniquescitations
- 2011Inclusions and metal composition of ancient copper-based artefacts: A diachronic view by micro-EDXRF and SEM-EDScitations
- 2009Orientalizing Artifacts from Fraga dos Corvos Rock Shelter in North Portugalcitations
- 2006Materials and techniques used in the works of art from Paulistas church (Lisbon, Portugal)
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document
Materials and techniques used in the works of art from Paulistas church (Lisbon, Portugal)
Abstract
<p>The works of art belonging to the Paulistas church (Lisbon) are recently being subjected to conservation and restoration interventions. A study of the materials and techniques used on the religious/artistic decoration of the Portuguese church was carried out. This involved analyzing a mural painting, canvas paintings from the XVIII century and gilded carved wood. The mural painting analyzed documented several repaintings made over the years, mainly after the Lisbon earthquake in 1755. The canvas paintings analyzed demonstrated some simplicity in the materials and techniques used by the Portuguese artist Andre Goncalves (1685-1762). The gilded carved wood analyzed showed not only the use of gold leave, but also of silver leaf in some areas of the motifs. The present study was performed by cross-section optical microscopy analysis, by micro Fourier transform infrared spectroscopy (micro-FT-IR) and micro X-ray fluorescence spectrometry (micro-XRF).</p>