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Naji, M. |
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Motta, Antonella |
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Aletan, Dirar |
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Mohamed, Tarek |
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Ertürk, Emre |
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Taccardi, Nicola |
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Kononenko, Denys |
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Petrov, R. H. | Madrid |
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Alshaaer, Mazen | Brussels |
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Bih, L. |
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Casati, R. |
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Muller, Hermance |
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Kočí, Jan | Prague |
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Šuljagić, Marija |
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Kalteremidou, Kalliopi-Artemi | Brussels |
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Azam, Siraj |
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Ospanova, Alyiya |
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Blanpain, Bart |
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Ali, M. A. |
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Popa, V. |
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Rančić, M. |
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Ollier, Nadège |
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Azevedo, Nuno Monteiro |
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Landes, Michael |
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Rignanese, Gian-Marco |
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Viguerie, Laurence De
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Topics
Publications (6/6 displayed)
- 2023Chemical imaging of alligatoring oil paintings
- 2022Shedding light on functional hybrid nanocomposites 19th century paint mediumcitations
- 2021Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia)citations
- 2021Time-of-Flight Secondary Ion Mass Spectrometry Imaging of Cross Sections from the Bacchanals Paintings of Nicolas Poussincitations
- 2019Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)citations
- 2014Rheology of white paints: How Van Gogh achieved his famous impastocitations
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article
Chemical imaging of alligatoring oil paintings
Abstract
he so-called “Alligatoring” paint deterioration phenomenon was investigated through the study of four samples from O Cardeal D. Henrique recebendo a notícia da morte de D. Sebastião, painted in 1861 by the Portuguese painter Marciano Henriques da Silva. Attenuated total internal reflection Fourier transform infrared microscopy and time-of-flight secondary ion mass spectrometry imaging, complementary to scanning electron microscopy energy-dispersive X-ray spectroscopy, were used to tackle the complexity of such paint systems and locate the distribution of organic/inorganic/hybrid components in the paint layers stratigraphy. While the use of asphalt/bitumen commonly associated with this peculiar paint deterioration was hypothesized, its presence could not be confirmed nor denied with the methodological approach proposed. However, specific chemical compounds and paint layer structures were identified, both related to strong drying issues of the paint system. Most specifically, the evidence of a stable lead azelate layer together with lead and aluminium carboxylates present in all paint layers, combined with a paint technique with numerous paint layer superimposed and an excess of oil in the paint system can be pointed out as clues in the understanding of the degradation mechanisms. Graphical abstract: [Figure not available: see fulltext.]