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| Naji, M. |
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| Motta, Antonella |
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| Mohamed, Tarek |
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| Ertürk, Emre |
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| Taccardi, Nicola |
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| Petrov, R. H. | Madrid |
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| Alshaaer, Mazen | Brussels |
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| Bih, L. |
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| Casati, R. |
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| Kočí, Jan | Prague |
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| Šuljagić, Marija |
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| Kalteremidou, Kalliopi-Artemi | Brussels |
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| Azam, Siraj |
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| Ospanova, Alyiya |
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| Ali, M. A. |
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| Rančić, M. |
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| Ollier, Nadège |
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| Azevedo, Nuno Monteiro |
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| Landes, Michael |
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| Rignanese, Gian-Marco |
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Viguerie, Laurence De
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Publications (6/6 displayed)
- 2023Chemical imaging of alligatoring oil paintings
- 2022Shedding light on functional hybrid nanocomposites 19th century paint mediumcitations
- 2021Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia)citations
- 2021Time-of-Flight Secondary Ion Mass Spectrometry Imaging of Cross Sections from the Bacchanals Paintings of Nicolas Poussincitations
- 2019Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)citations
- 2014Rheology of white paints: How Van Gogh achieved his famous impastocitations
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article
Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)
Abstract
The Alcazar Palace (Seville, Spain) is famous for its ceramic decorations; 16 th century wall tiles of different typologies have been analyzed in order to relate the manufacturing process of their colored glazes to the evolving technologies of the Renaissance. Chemical and mineralogical compositions have been determined in situ by non-destructive X-ray fluorescence (XRF) and X-ray diffraction (XRD) on arista ceramics in the Cenador de Carlos Quinto, and majolica ceramics in the Palacio Gotico and the Royal oratory. The arista style belongs to the local Hispano-Moresque ceramic tradition. Majolica tiles have the complex microstructures of glazes from Italy. The two types are clearly differentiated by their typology, morphology (curved vs flat surface), and also microstructure (single vs multi-layers), glaze chemistry, and use of different coloring agents. Moreover, we found different glaze chemistries in the investigated majolicas, which correspond to different artists and/or practices.