| People | Locations | Statistics |
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| Naji, M. |
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| Motta, Antonella |
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| Aletan, Dirar |
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| Mohamed, Tarek |
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| Ertürk, Emre |
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| Taccardi, Nicola |
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| Kononenko, Denys |
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| Petrov, R. H. | Madrid |
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| Alshaaer, Mazen | Brussels |
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| Bih, L. |
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| Casati, R. |
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| Muller, Hermance |
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| Kočí, Jan | Prague |
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| Šuljagić, Marija |
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| Kalteremidou, Kalliopi-Artemi | Brussels |
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| Azam, Siraj |
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| Ospanova, Alyiya |
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| Blanpain, Bart |
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| Ali, M. A. |
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| Popa, V. |
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| Rančić, M. |
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| Ollier, Nadège |
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| Azevedo, Nuno Monteiro |
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| Landes, Michael |
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| Rignanese, Gian-Marco |
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Carvalho, M. L.
in Cooperation with on an Cooperation-Score of 37%
Topics
Publications (17/17 displayed)
- 2021Investigation of inks, pigments and paper in four Moroccan illuminated manuscripts dated to the eighteenth centurycitations
- 2019A painter in the shadowcitations
- 2019Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17 th centurycitations
- 2016Distribution of toxic elements in teeth treated with amalgam using mu-energy dispersive X-ray fluorescencecitations
- 2016Titanate nanotubes sensitized with silver nanoparticles: synthesis, characterization and in-situ pollutants photodegradationcitations
- 2015Microscopy and X-Ray Spectroscopy Analyses for assessment gilding and silvering techniques of Portuguese illuminated manuscriptscitations
- 2015White Spots on Smoke Rings by Bruce Nauman: A Case Study On Contemporary Art Conservation Using Microanalytical Techniquescitations
- 2015Microscopy and Microanalysis of an Extreme Case of Salt and Biodegradation in 17th Century Wall Paintingscitations
- 2015Nondestructive analysis of Portuguese “dinheiros” using XRF: overcoming patina constraintscitations
- 2015A multi-analytical approach to gold in Ancient Egypt: Studies on provenance and corrosioncitations
- 2014Effect of protein adsorption on the corrosion behavior of 70Cu-30Ni alloy in artificial seawatercitations
- 2014The study of marine corrosion of copper alloys in chlorinated condenser cooling circuitscitations
- 2013Pulsed current electrodeposition of Zn-Ag2S/TiO2 nanocomposite films as potential photoelectrodescitations
- 2013The earrings of Pancas treasure: Analytical study by X-ray based techniques-A first approachcitations
- 2012Monitoring by an electrochemical integrated system the corrosion and antifouling treatment on aluminum brass condenser tubescitations
- 2008Pigment characterization and state of conservation of an 18th century fresco in the Convent of S. António dos Capuchos (Estremoz)citations
- 2008Analysis of a coloured Dutch map from the eighteenth centurycitations
Places of action
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article
Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17 th century
Abstract
<p>In this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her father Baltazar Gomes Figueira (1604–1674). These painters were the most important pair working in the 17<sup>th</sup>century in Portugal with a Proto-Baroque style and the materials and techniques used by their workshop are almost unknown. Analytical procedures employed to characterize the materials and painting techniques involve molecular spectroscopy with μ-Confocal Raman (μ-Raman) and Fourier Transform Infrared Spectroscopy (μ-FTIR) in combination with other complementary methods such as X-ray Fluorescence Spectroscopy (XRF), μ-X-ray diffraction (μ-XRD) and Scanning Electron Microscopy with Energy Dispersive spectroscopy (SEM-EDS). Results are compared with the instructions of the most significant coeval Iberian painting treatises, with influence on Óbidos workshop. Conclusions of this study bring the first insight on the materials used, technical procedures and evolution from panel to canvas of Óbidos painting workshop, particularly highlighting the work of Josefa d' Óbidos, the greatest female Portuguese painter of all times.</p>