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Naji, M. |
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Motta, Antonella |
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Aletan, Dirar |
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Mohamed, Tarek |
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Ertürk, Emre |
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Taccardi, Nicola |
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Kononenko, Denys |
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Petrov, R. H. | Madrid |
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Alshaaer, Mazen | Brussels |
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Bih, L. |
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Casati, R. |
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Muller, Hermance |
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Kočí, Jan | Prague |
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Šuljagić, Marija |
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Kalteremidou, Kalliopi-Artemi | Brussels |
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Azam, Siraj |
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Ospanova, Alyiya |
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Blanpain, Bart |
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Ali, M. A. |
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Popa, V. |
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Rančić, M. |
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Ollier, Nadège |
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Azevedo, Nuno Monteiro |
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Landes, Michael |
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Rignanese, Gian-Marco |
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Viguerie, Laurence De
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Publications (6/6 displayed)
- 2023Chemical imaging of alligatoring oil paintings
- 2022Shedding light on functional hybrid nanocomposites 19th century paint mediumcitations
- 2021Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia)citations
- 2021Time-of-Flight Secondary Ion Mass Spectrometry Imaging of Cross Sections from the Bacchanals Paintings of Nicolas Poussincitations
- 2019Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)citations
- 2014Rheology of white paints: How Van Gogh achieved his famous impastocitations
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article
Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia)
Abstract
The material evidence for the wax finish on ancient marble statues, known as ganosis, is scarce and controversial, although Greek and Latin sources describe the recipes and cultural value of this treatment. The surface treatment of a colossal Roman head from the Roman theatre of Dougga (Tunisia), dated to the end of the second century CE, is studied by a multi-analytical protocol (video-microscope, cross section, and time-of-flight secondary ion mass spectrometry of one sample). The results of this physico-chemical analysis and the comparison with ancient recipes, prove the use of ganosis on a Roman statue and explore, for the first time, the application of the recipes described in ancient sources. This result shows the potential of the Time-of-Flight Secondary Ion Mass Spectrometry analysis, detecting at the same time organic and inorganic materials and their stratigraphy, to study the ancient recipes.