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| Ertürk, Emre |
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| Taccardi, Nicola |
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| Petrov, R. H. | Madrid |
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| Alshaaer, Mazen | Brussels |
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Relvas, C.
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Publications (10/10 displayed)
- 2016Study of the potential employment of Malvaceae Species in composites materialscitations
- 2016Jose de Escovar at the Chapel of the Souls: Technical and material study of a 1603 panel painting
- 2016Tecidos estreitos com capacidade de emissão de luz
- 2015Sistemas fibrosos de proteção contra o corte de motoserras
- 2015Evaluation of natural fibers from brazilian malvaceae family and its potential as reinforced composites
- 2015Re-Design of ribbon for new applications
- 2015Characterization of physical, mechanical and chemical properties of quiscal fibres: the influence of atmospheric dbd plasma treatmentcitations
- 2015Study of fibrous materials to reduce thermal signature
- 2014Vestuário de proteção para usuários de motosserra
- 2012Characterization of textile fibers from Brazilian Cerrado species
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article
Jose de Escovar at the Chapel of the Souls: Technical and material study of a 1603 panel painting
Abstract
This article reports the preliminary results of a technical and material study carried out on a 17th century panel painting located at the Chapel of the Souls in the main church of Vila Nova da Baronia (30 km away from Evora city, in southern Portugal). This painting is attributed to Jose the Escovar, a painter that worked for Evora Archiepiscopate between 1583 and 1622. Jose the Escovar is known by his mural paintings all across the Alentejo region. This is the first time that a panel painting made by this artist was studied. Analytical methods used included in situ technical photography (visible (Vis), raking light (RAK), infrared (IR), and ultraviolet (UV)), optical microscopy of cross sections, scanning electron microscopy with energy dispersive X-ray spectrometry (SEM-EDS), micro Raman spectroscopy, and micro Fourier transform infrared spectroscopy (-FT-IR). The goal was to ascertain the techniques and colored materials used by Escovar on this painting so that the data can be used in future comparisons with others works attributed to this painter based on stylistic aspects. (c) 2016 Wiley Periodicals, Inc. Col Res Appl, 41, 252-257, 2016