Materials Map

Discover the materials research landscape. Find experts, partners, networks.

  • About
  • Privacy Policy
  • Legal Notice
  • Contact

The Materials Map is an open tool for improving networking and interdisciplinary exchange within materials research. It enables cross-database search for cooperation and network partners and discovering of the research landscape.

The dashboard provides detailed information about the selected scientist, e.g. publications. The dashboard can be filtered and shows the relationship to co-authors in different diagrams. In addition, a link is provided to find contact information.

×

Materials Map under construction

The Materials Map is still under development. In its current state, it is only based on one single data source and, thus, incomplete and contains duplicates. We are working on incorporating new open data sources like ORCID to improve the quality and the timeliness of our data. We will update Materials Map as soon as possible and kindly ask for your patience.

To Graph

1.080 Topics available

To Map

977 Locations available

693.932 PEOPLE
693.932 People People

693.932 People

Show results for 693.932 people that are selected by your search filters.

←

Page 1 of 27758

→
←

Page 1 of 0

→
PeopleLocationsStatistics
Naji, M.
  • 2
  • 13
  • 3
  • 2025
Motta, Antonella
  • 8
  • 52
  • 159
  • 2025
Aletan, Dirar
  • 1
  • 1
  • 0
  • 2025
Mohamed, Tarek
  • 1
  • 7
  • 2
  • 2025
Ertürk, Emre
  • 2
  • 3
  • 0
  • 2025
Taccardi, Nicola
  • 9
  • 81
  • 75
  • 2025
Kononenko, Denys
  • 1
  • 8
  • 2
  • 2025
Petrov, R. H.Madrid
  • 46
  • 125
  • 1k
  • 2025
Alshaaer, MazenBrussels
  • 17
  • 31
  • 172
  • 2025
Bih, L.
  • 15
  • 44
  • 145
  • 2025
Casati, R.
  • 31
  • 86
  • 661
  • 2025
Muller, Hermance
  • 1
  • 11
  • 0
  • 2025
Kočí, JanPrague
  • 28
  • 34
  • 209
  • 2025
Šuljagić, Marija
  • 10
  • 33
  • 43
  • 2025
Kalteremidou, Kalliopi-ArtemiBrussels
  • 14
  • 22
  • 158
  • 2025
Azam, Siraj
  • 1
  • 3
  • 2
  • 2025
Ospanova, Alyiya
  • 1
  • 6
  • 0
  • 2025
Blanpain, Bart
  • 568
  • 653
  • 13k
  • 2025
Ali, M. A.
  • 7
  • 75
  • 187
  • 2025
Popa, V.
  • 5
  • 12
  • 45
  • 2025
Rančić, M.
  • 2
  • 13
  • 0
  • 2025
Ollier, Nadège
  • 28
  • 75
  • 239
  • 2025
Azevedo, Nuno Monteiro
  • 4
  • 8
  • 25
  • 2025
Landes, Michael
  • 1
  • 9
  • 2
  • 2025
Rignanese, Gian-Marco
  • 15
  • 98
  • 805
  • 2025

Tenorio, Dolores

  • Google
  • 1
  • 6
  • 0

in Cooperation with on an Cooperation-Score of 37%

Topics

Publications (1/1 displayed)

  • 2007PIXE analysis of the obsidian support of two paintings from<br />the Louvre by Murillocitations

Places of action

Chart of shared publication
Chiappero, Pierre-Jacques
1 / 2 shared
Gonthier, Erik
1 / 1 shared
Gendron, François
1 / 3 shared
Calligaro, Thomas
1 / 3 shared
Meslay, Olivier
1 / 2 shared
Poupeau, Gérard
1 / 2 shared
Chart of publication period
2007

Co-Authors (by relevance)

  • Chiappero, Pierre-Jacques
  • Gonthier, Erik
  • Gendron, François
  • Calligaro, Thomas
  • Meslay, Olivier
  • Poupeau, Gérard
OrganizationsLocationPeople

article

PIXE analysis of the obsidian support of two paintings from<br />the Louvre by Murillo

  • Chiappero, Pierre-Jacques
  • Gonthier, Erik
  • Gendron, François
  • Calligaro, Thomas
  • Meslay, Olivier
  • Poupeau, Gérard
  • Tenorio, Dolores
Abstract

The very unusual black backings of two paintings by the Spanish master Murillo (1617-1682) representing Passion Scenes, on display at the Louvre museum, have been analyzed by PIXE with the AGLAE facility of the C2RMF. The support proved to be obsidian, a natural volcanic glass widely employed to produce archeological artefacts, in particular in South and Meso-America. Five archeological artifacts with similar shape to the paintings called “obsidian mirrors”, originating from Mexico and belonging to the collections of the Mus´ee de l'Homme in Paris, have been analyzed and the composition of four of them showed to be very similar to Murillo's obsidians. The comparison with the results obtained on reference obsidian samples from Mexican sources and with data from the literature by instrumental neutron activation analysis (INAA) suggested that the Ucareo/Zinap´ecuaro, Michoac´an, Mexico is the source of the obsidian employed for the paintings. A field trip to this area was therefore organized to collect samples whose natural slab shape and chemical composition confirmed the Ucareo provenance hypothesis. The rectangular backing of Murillo's paintings are unlikely archaeological artefacts but rather objects specially made after the Spanish conquest by Mesoamerican craftsmen, among which some were exported to Europe where Murillo spent all his life. The observation, in the walls of the church and other Christian monuments in Ucareo, of obsidian inlays, a material of particular significance in the pre-Hispanic culture, underlines the complex intrication of native culture and European influences which are also carried by Murillo's paintings. Meanwhile, a third painting on obsidian by Murillo as been identified in the Museum of Fine Arts of Houston, Texas, U.S.A. This study also points out that even if the ranges of elements dosed by PIXE and INAA do not fully overlap, the measurements obtained by both techniques can be efficiently used for provenancing obsidians objects.

Topics
  • impedance spectroscopy
  • glass
  • glass
  • chemical composition
  • activation
  • neutron activation analysis
  • particle-induced X-ray emission spectroscopy